Volume 33 of Ag features:

• APPROACHES: A. D. Coleman describes the development of the work of fellow American photographer, Keith Carter.
• FINE ART PRINTING: In part 4 of his series on making the transition from darkroom to digital, Barry Thornton looks at the pros and cons of working with 16-bit scans from your film.
• PORTFOLIO: Gerry Badger admires the ‘New Topography’ of Jim Cooke.
• DIGITAL: Tim Daly advises on the ways to fine-tune your black-and-white film originals on-screen using Adobe Photoshop.
• TAKING ISSUE: The critic David Lee explains why, after many years of writing on photography, suddenly he stopped.
• SELF-PROMOTION: Eddie Ephraums on the best ways to present your work.
• FOREWORD: Chris Dickie introduces a gallery of work by Ag readers, submitted from all over the world.
• NEW IN PRINT: Our selection of recently published photography books.

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Cover: © Keith Carter

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